Katsura Kan: Butoh Dancer

At 36, Kyoto-born butoh dancer and choreographer Katsura Kan has survived as an independent dancer, working outside the established butoh companies…

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Sano Toemon: Gardener

In the center of Maruyama Park there is a very large cherry tree… It was cultivated by the grandfather of Sano Tōemon, the sixteenth generation of a line of Sagano gardeners.

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Remembering Beijing

A PHOTO GALLERY BY STEWART WACHS

In the autumn of 1994 I went to Beijing with several rolls of T-Max film. Later, in Japan, introducing the exhibition from which most of these pictures were drawn, I wrote, “Beijing, like Kyoto, has lately chosen to hurl itself into the future. Here is a handful of memories it may find waiting there when it arrives.” That time came swiftly.

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Forgetting, Remembering

JAPAN-BRAZIL
BY TERRY CAESAR
 
Few countries appear to have less in common with each other than Japan and Brazil. Consider only the woman in which each country is personified…

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The Mystery of Mastery

It is not a coincidence that disciples of Zen who have achieved an intuition that is spiritual and transcendental and yet strikes decisively at the very heart of the physical world, are referred to as Masters…

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Red Pine: Dancing With Words

When I first saw Red Pine’s translation of “The Poems of Cold Mountain,” I remember thinking, “This is something important — who’s this Red Pine?”

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A Minute and 100 Metres

I arrived via train, 40 hours and just under 4000km in a hard-seat, from Beijing, where rumours were circulating about the extent of the military presence, needle attacks, Uighur and Han street gangs…

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Pico Iyer is Lost

Pico Iyer is lost. It’s a condition he uses to great effect in his increasingly internalised travel books as we find him on the road to somewhere he’s not sure of.

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Sex in the City and Memoirs of a Geisha: The Way of Tea(se)

Memoirs of a Geisha could have explored in good story-telling fashion the intimacy and fullness’s of one geisha’s life from the inside out. But no! The filmmakers fashioned yet another Orientalist representation of traditional Asian femininity crafted in the frozen imagination of a Western man…

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Behind the Brocade Curtain

In the early 1990s I unwittingly moved into a Gion Festival neighborhood…One day I literally stumbled upon the festival’s gigantic floats, some as high as downtown buildings, and marveled at their exquisite adornments of exotic textiles and carvings. I didn’t know what I was looking at, but it blew my mind.

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Learning from Pyongyang TV

“The thing I like best about Pyongyang TV is no commercials…unless, of course, you understand the programming for what it really is —one long political commercial!”

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A Princess Ever, an Empress Never?

These days, a woman probably has more prospects of flying to the moon than becoming a titled member of one of the few remaining royal families, whose duties are much less glamorous…

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