On Learning Pottery in Japan

We never talked about our own work in aesthetic terms. I never asked, and they never volunteered. We never talked about the “significance” of our work, or its place in society. There seemed to be no place for the pained self-consciousness that afflicts so many American potters and students.

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Chiemi Ogura: Bamboo Craftswoman

Chiemi Ogura bamboo craftswoman Kyoto photo by Irwin Wong

Chiemi weaves her intricate bamboo jewellery from her inner-west Kyoto home studio. Everything step is done by her and by hand, from cutting strips from raw, Kyoto-sourced stalks, to the final dying that washes the pieces in unique wine, turquoise, and emerald shades.

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Nakagawa Shuji: Oke Maker

When Nakagawa Shuji’s grandfather, Kameiichi, turned ten years old, he went to work at Tarugen. This famed maker of oke (wooden pails or buckets) and barrels, had been established in Kyoto during the waning years of the Edo period (1603-1868), and was to become Kameiichi’s workplace for the next 40 years. In the process, Kameiichi…

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On Chairs

Chair in Taipei Woods

A time-darkened chair of oak, it stood among other chairs of other kinds, empty of all but time and craft, in a warehouse for antiques; a sign said the chair had been made in England a couple of hundred years ago.

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