Insights from Sixteen Creative Japanese Ceramicists

There are, for those with the requisite sense, currents, energy flows, and dialogues to be discerned in the Japanese garden. Shunmyo Masuno contends that when arranging rocks, for example, one must “converse” with the stone, waiting “until it seems to speak and say where it wants to be put.” According to some of the subjects of Listening to Clay, a similar collaboration, or consulting, takes place between potters and their material. Artist Michiko Ogawa, for example, is very specific on this point, stating that she attempts to, “listen to what the material has to say,” posing the question, “What does the clay want to be?”

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Partitioned Views

Kyoto, described by photographer Ben Simmons in Kyoto Gardens as, “a unique treasure of concentrated beauty and spirit found nowhere else,” is a good place to start an exploration of the Japanese garden.

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