A Familiar Environment

“Women authors in Japan are more or less par for winning the big prizes, and they’re publishing easily as much as men, but they’re not appearing in translation. There’s a movement to try and do something about it.”

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Cloudburst by Fujisawa Shuhei

In the daytime, Kakichi worked as a knife sharpener. He made his Edo rounds carrying a box of grindstones and files — the tools of his trade — and he sharpened kitchen knives, sickles, and scissors. Occasionally he was asked to set the teeth of a saw, and he carried the files for that purpose. And when a promising house caught his eye in the course of his rounds, he’d pay that house another visit in the dead of night.

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Last Light

In the late afternoon, while magic-hour light poured through the bay window opposite his desk, I watched the greatest translator of Japanese literature at work translating its most important modern novel, heretofore undiscovered by readers of English…

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Notes of a Crocodile by Qiu Miaojin

Notes of a Crocodile is not a book that shows teenagers how to live a straight life, in any sense of the term. And yet it is intended to be a survival manual for teenagers, for a certain age when reading the right book can save your life…

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Revealing the Invisible

The Hawaiian word ‘mãnoa’means “vast and deep,” and is a literal description of the lush green valley on O‘ahu that is home to a unique bi-annual publication of the same name…

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The Pillow Book: Translating a Classic

The Pillow Book review - Kyoto Journal

Most people in Japan can reach back to their school days to unhesitatingly recite the famous opening lines of the thousand-year-old classic known in English as The Pillow Book. The sounds roll off the tongue like poetry…

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