INSIGHTS FROM ASIA
Kyoto Journal is an award-winning,
quarterly magazine founded in Kyoto, Japan,
presenting cultural and historical insights from
all of Asia since 1987.
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- IN TRANSLATION
- INSIGHTS FROM ASIA
- OUR KYOTO
My Father-in-Law the Japanese Radical
The origins of the Narita struggle date back to 1966, when the government announced it would build Japan’s new international gateway in Chiba, 60km from the capital—without consulting the 360 mostly impoverished local people who farmed the land around the Sanrizuka and Shibayama hamlets. The plan, with its whiff of official arrogance and highhandedness, became a lightning rod for discontent in the economic miracle years. Many farmers resisted and supporters poured into the area, fueling a conflict that quickly escalated.
Haenyeo – The Sea Women of South Korea
My first encounter with the Haenyeo was through their song. I was hiking in the Seongsan crater on Jeju, an island off the southern coast of South Korea, when I wandered down a winding cliff path to the waterfront. On the rocky beach, an empty seaside restaurant offered seafood to absent crowds. It was obvious that Covid had taken a toll on the local tourism industry. Then the sound of singing came from a shack next to the restaurant, and filled the bay. A few minutes later five women emerged, probably in their late 50s and 60s, wearing brightly-coloured woolen underwear, wetsuit pants, and rubber moccasins. They continued to sing, dance, and laugh while simultaneously helping each other into their remaining diving gear.
Dogen in a Hammock
Robert Aitken, the late Zen priest of Honolulu’s Diamond Sangha, once wrote that “Drowsy contentment may be a condition close to realization. It is a kind of emptiness, of nondifferentiation, where the ten directions melt: inside and outside become one.”
Nowhere To Go
She rested her arms, thick and fleshy, on the top of the half-wall, and cupped her face in her hands. Marilou often stood in the balcony at night to gather her thoughts. To take in the breeze, survey the expanse of the property, with its sprawling gardens, tennis courts, and playgrounds. Her room behind the kitchen was a square box with cream-coloured walls. It had barely enough space for a single bed and a cupboard. Twelve years in Singapore as a helper, and she had never really gotten used to the fact that her room here did not have any windows.
No Plan B Dream Villanelle
Whether for a single poem, or a single-author collection of poems, inspiration is offered by different muses. It can come from a place and the history of that place; from a disease and all that living with a disease entails; from travel and the changing vistas that moving from place to place, history to history, presents; from poetic form: the shape that words and lines are given. Recent collections by four Japan-based poets are examples of books that grow from just these seeds.
An academic out of a job getting by as a translator in Kyoto is approached by a mysterious woman in a kimono who offers her a remunerative job translating a novel, chapter by chapter, as it is written. The ostensible author of the novel, long thought to be dead, is the disowned scion of a family that has been in the kimono business for generations; the novel describes a crime: the murder of a woman with a full-body tattoo designed to look like a kimono.
Poet between Reality and Dream
In the museum we find relics or remnants or fragments of stories that are not disowned or abandoned; they are contained, enshrined. As readers of Miho Nonaka’s The Museum of Small Bones, we encounter exhibits of a different, ancient ilk. A native of Tokyo, and educated at Harvard and Columbia, among other universities, Nonaka is a bilingual poet/translator who teaches at Wheaton College in Wheaton, Illinois. In this poetry collection, due to her self-confessed restlessness, she pushes forward by small moves, a time-honored tradition.
KYOTOGRAPHIE 2022 “One”
Writing in their preface to the first KG catalogue, Reyboz and Nakanishi averred that “KYOTOGRAPHIE’s intention was always to stage the work in the shrines, temples, machiyas, tea houses and other emblematic locations of the city. But by using scenographers and designers to ensure that the photography and the venues will each work to enhance the other, it was our hope that by engaging the participation of Kyoto’s traditional artisans, a broader spectrum of Kyoto society will feel that this is truly their festival.” The creative fusion we are seeing after ten years seems to confirm their vision.
Seeing with Dragonfly Eyes
Novels like Dragonfly Eyes and the acclaimed Cao/Wang title Bronze and Sunflower—also set during the Cultural Revolution, in the countryside—show hopeful struggle amid tragedies playing out in a past so vivid, it could be now. Which is why we need it now. We need its way of storytelling and seeing.
Japanese Religion Through the Lens of Water
From KJ 101: As water is essential to all life, both its presence and its absence, its sufficiency, its excess, as well as its paucity, have fundamentally affected, profoundly influenced, and indeed guided the lives of Kyoto people in countless ways… In this article, I address Japanese religion through the lens of water within the context of Kyoto’s geography of surrounding mountains, waterfalls, and rivers, its long history, and its especially high concentration of shrines, temples, and tucked-away religious sites.
As a special online preview to our ‘Water in Kyoto’ issue, Paul Rossiter’s poem ‘Nanzen-ji’ reveals an example of how vitally water is intertwined with Kyoto’s rich cultural legacy.
Ink Dreams and the Space of Effusion
Ma is a favorite topic of Kyoto Journal contributors. The two books under review, companions to site-specific exhibitions presented by the Los Angeles County Museum of Art (LACMA), are overflowing with ma in reproductions of 20th-21st artworks created by artists from East Asia and beyond in a variety of media. The two beautifully printed, these large-format full-color volumes include essays by art historians, curators and other scholars, as well as in-depth artists’ biographies and a sense of the dynamic cross-cultural milieux in which they lived.