New issue KJ99
travel, revisited
INSIGHTS FROM ASIA
Kyoto Journal is an award-winning,
quarterly magazine founded in Kyoto, Japan,
presenting cultural and historical insights from
all of Asia since 1987.
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- FICTION, POETRY & REVIEWS
- HIDDEN JAPAN
- IN TRANSLATION
- INSIGHTS FROM ASIA
- OUR KYOTO
- TOKONOMA
A Familiar Environment | Translator Ginny Tapley Takemori
Murata Sayaka’s short novel, Convenience Store Woman, a thematically-propelled distillation of the author’s experience working in konbini, has achieved extraordinary success in English. Kyoto Journal speaks with the novel’s Ibaraki-based translator, Ginny Tapley Takemori.
Four Decades of Anti-nuclear Activism
Part 2 of an Extended version of our Interview with Kyoto Activist Aileen Mioko Smith published in KJ 99, Dec. 2020.
Where tea stirs remembrance
In a current landscape dotted with fast-food hegemony and the rapid erosion of lazy afternoons, is nostalgia enough to carry forth the legacy of Irani cafés in India?
Spring 2021 Reads from Tuttle
The roundup of new books on Japan food, culture and travel by Tuttle Publishing.
A life of art and activism
The life trajectory of Japanese American artist, activist, feminist and “Modern Buddhist Revolutionary” Mayumi Oda is recounted in her new autobiography.
The Big Picture: Birds’-eye Overviews of the Japanese Archipelago
Yoshida Hatsusaburo (1884-1955) was known as “the modern Hiroshige” and created over 2,000 maps in his lifetime.
Another Pool Party in Saigon
The joke of it is that, like a lot of people out here, he has no home to go back to. You don’t move to Saigon if your life is going well. He doesn’t even speak to his family. He’s lost touch with his real friends in England.
In the Cave
The cave with the hidden Book of the Dead is a powerful metaphor for the pandemic interval we’re experiencing, a between-space whose teachings are accessible if we have the right perspective.
Kiro: Carving out the Future of Hakone Yosegi Marquetry
The name of Kiro, a workshop specializing in Hakone yosegi marquetry, rendered using the kanji characters for “wood” and “path,” seems fitting for an art form that has seen remarkable innovation over generations and whose artisans continue to forge a path forward into the future.