Kyotographie 2024, “Source”: Wellsprings of Creativity

For the past 13 years, co-directors Lucille Reyboz and Nakanishi Yusuke have invited the people of Kyoto –  old, established families to tourists just passing through – to engage in a month-long  jeu d’esprit inspired by their ecumenical embrace of all aspects of the photographic medium, from crude pinhole cameras to high-powered scientific instruments, and everything else in between.

Read More

Shared “Vision”: KYOTOGRAPHIE 2020 in Review

“Vision,” the theme of this year’s KYOTOGRAPHIE International Photography Festival, seeks to highlight photography’s power to overcome barriers and satisfy (in the words of New Zealand writer Katherine Mansfield) “that terrible desire to establish contact.”

Read More

Re-opening Our Eyes

Naoyuki Ogino describes his work as “…documentary in the broadest sense. I am trying to omit fiction as much as I can in order to capture the very moment of non-fiction. I want to document …people, within their histories, societies, cultures, neighborhoods, atmospheres, environments or weather.”

Read More

KYOTOGRAPHIE Breaks New Ground

Ono Tadashi Coastal Motifs

Kyotographie seems to be not merely bringing people to hidden or at least underutilized parts of Kyoto, but taking an active role in developing and revitalizing areas that are in dire need of a pick-me-up.

Read More

No Translation Needed: KYOTOGRAPHIE 2017

The theme of KYOTOGRAPHIE 2016 is “Love,” a sentiment that is seemingly-universal yet highly-fraught in ways that vary widely from culture to culture. The festival’s organizers do not try to reconcile the differences but rather lay out the debate in spatial and visual terms.

Read More