Behind the Mask
In 1960, noh actor and mask carver Udaka Michishige was the last to be taken as an uchi-deshi, or live-in apprentice, into the home of Kongō Iwao II, the head of the Kongō School.
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In 1960, noh actor and mask carver Udaka Michishige was the last to be taken as an uchi-deshi, or live-in apprentice, into the home of Kongō Iwao II, the head of the Kongō School.
Read More“Inspired by tea, the housemates show us that it is possible to live creatively and mindfully in this modern day world. It seems fitting that such a place exists in Kyoto, a city that epitomizes the juxtaposition of old and new.”
Read MorePlace is the product of lived space and lived time, a reflection of our states of mind and heart…
Read MoreAtaka reveals an aspect of unique Japanese spirituality. While it is a challenging performance for actors that requires subtle skills instructed orally by a master, the story structure involves a powerful psychodrama, and the roles and presentation evoke the audience’s emotions directly by the senses without depending completely on the words.
Read MoreUnlike many writers on Japan, Donald Richie advances no social theories. By portraying Japanese as individuals, and by doing so with insight and often with sympathy, Richie gives the lie to conventional notions of uniformity.
Read More“I’m hoping to transmit the ethics of Noh. Respect for the space and discipline, work ethics, orderliness, cleanliness. “
Read More“The actor is not moving, but the pose is full of pent-up energy. Think of a spinning top…”
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