FICTION, POETRY & REVIEWS
Two poems by Robert MacLean appear in KJ100, ‘Sweeping,’ excerpted from his new book Waking to Snow (Isobar Press, 2021) and a haiku from I Wish, a recent anthology from the Hailstone Haiku Circle. The cover of I Wish also appears—designed by wood-block artist Richard Steiner. Robert and Richard were published together in KJ 5,…
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Unfree Speech: The Threat to Global Democracy and Why We Must Act, Now by Joshua Wong with Jason Ng, Ai Weiwei (Intro.) and Chris Patten (Foreword) London: W. H. Allen, 2020, 268 pp., $11.07 (paper). Joshua Wong is the Hong Kong pro-democracy activist who became famous in 2011, aged just twelve, when he organized a…
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Sharing a House with the Never-Ending Man: 15 Years at Studio Ghibli by Steve Alpert. Stone Bridge Press, 296 pp., $19.95. According to some, if you really love something you should never find out how it is made: the object of your admiration might lose its shine, its magic. If I felt that way I…
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A City of Han: Stories by expat writers in Seoul and other cities of South Korea, edited by Sollee Bae. Seoul: FWS Publishing, 2020. 121 pp., ¥1059 (paper). In this era of extreme global hypersensitivity to race and national narratives, it is arguably a high-risk proposition for a Western expat author in Asia to write…
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The roundup of new books on Japan food, culture and travel by Tuttle Publishing.
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The life trajectory of Japanese American artist, activist, feminist and “Modern Buddhist Revolutionary” Mayumi Oda is recounted in her new autobiography.
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The joke of it is that, like a lot of people out here, he has no home to go back to. You don’t move to Saigon if your life is going well. He doesn’t even speak to his family. He’s lost touch with his real friends in England.
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The few translations that do exist of particular haiku poets have focused on male poets such as Basho, Shiki and Issa. For these reasons alone, readers should welcome the translation of the work of a premiere Japanese woman poet artist-calligrapher, Kaga-no-Chiyo.
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As canals are to Venice, gardens are to Kyoto, even if mostly concealed behind the walls of private residences, or within sub-temples that have not transformed themselves into tourist attractions.
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“The Japanese have written thousands of poems about the cherry blossoms” is something I have said thousands and thousands of times over the years to my college classes in Japanese language…
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Alpert was employed at Ghibli’s parent company Tokuma Shoten and was tasked with making its films as successful abroad as they are in Japan.
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It was Kato, my old boss at the TV production company in Tokyo where I had gotten my first job, strangulating English sound bites into pithy Japanese subtitles. Now, he said, he had a new program and could use my help.
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These young fellows nowadays, I tell you—not an iota of respect for their betters! These whippersnappers are so horrid, so horribly rude: they’ll look past you on the road, they won’t take any notice of you at all…
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Our reviews of the latest Japan travel and culture-oriented titles from the Asia specialist, Tuttle Publishing.
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This collection of interviews, artwork, and newly-translated essays by and about 12 diverse postwar Japanese architects provides a fascinating “oral history” of Japanese society during the 1960s and 1970s, a period when the nation’s attention shifted from rebuilding from the ashes of war to finding its place in the international community.
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Reading Cutting Back taught my untrained eye to more fully appreciate the complexities of Japanese formal gardens and the folks who are entrusted to maintain them.
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Tiberiu Weisz contends that contact between the Hebrews and the Chinese started probably sometime around 980BCE. If this is true, Israelite presence would have left traces in the historical records kept by the Chinese since their earliest dynasties.
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In Ghosts of the Tsunami, Richard Lloyd Parry confronts us with the startling human reality of this astonishing disaster. Parry’s chief concern is with the harrowing events that transpired at Okawa Elementary School in Ishinomaki, a heartbreaking drama that is notorious in Japan but perhaps less well-known internationally.
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As part of their 70th-year anniversary celebrations, KJ has teamed up with Tuttle Publishing, the Asia specialist, for this four-part series.
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The evolution of Teraoka’s oeuvre now can be explored in the monumental 400-page Floating Realities: The Art of Masami Teraoka, almost a catalogue raisonné. In addition to beautifully printed full color reproductions, the book includes a forward by Mike McGee.
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Haiku brings us the birth and death of each moment. Everything is stripped away to its naked state.
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