For more than 400 years, villagers in the northern mountains of the Yamashiro basin (an area now incorporated to the modern administrative system of Kyoto city) have developed a special relationship with trees—in particular, with one specific type of tree, the cedar or Cryptomeria japonica, called sugi in Japanese.
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It has been common for several decades for Westerners in Japan to seek enlightenment and spiritual comfort in Buddhism and other Asian religions. It’s a well-traveled road, but Liane Wakabayashi’s path to spirituality in Japan, as depicted in this book, is unique. A native New Yorker and a not-strictly-observant conservative Jew, Liane Grunberg (later Wakabayashi) first came to Japan to cover blockbuster art exhibitions held in department stores for a Conde Nast magazine in 1985 and then again in 1987. She lost her return ticket the second time and ended up staying…
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The samurai is iconic to Japanese history. These two titles provide the reader with engaging depictions of an ancient warrior culture. Strokes of Brush and Blade: Tales of the Samurai is a collection of historical short fiction by modern Japanese authors. Forty-seven Samurai: A Tale of Vengeance and Death in Haiku and Letters was written in English by Hiroaki Sato, prolific Japanese author and translator.
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The simplicity of wabi-sabi is best described as the state of grace arrived at by a sober, modest, heartfelt intelligence.
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“There is something magical about a torii gate floating in the middle of a lake or shoreline. Once I got more immersed in the study of Japanese culture and religions I developed a parallel appreciation and respect for the symbolism and cultural importance they have to the Japanese people.”
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Stephen Mansfield interviews Marion Poschmann, whose novel set in Japan, The Pine Islands, was winner of the Berlin Prize for Literature and shortlisted for the Man Booker International Prize.
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Cradled, we were slowly merging. This I knew, looking up at the dusty stars, losing all feeling in arms, in legs, smelling the hot rice odor which was now mine as well. I, the man I thought I knew, was gone, become a thousand others.
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Tamotsu Yato embodied the erotic gaze — he was one of the earliest to do so openly. At the same time the gaze involved much more than simple erotics and it is this, no less, which merits our attention.
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Cultural critic, literary historian, novelist, poet and dramatist, Katō is one of Japan’s major post-war figures.
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The Shigenos’ expertise is Kyo-kanoko shibori (Kyoto’s fawn tie-dye) —a technique named for its characteristic dyed patterns which resemble the white spots on a young deer.
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A round-up of venues outside Japan that offer tea service and/or tea ceremony experiences.
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It was Kato, my old boss at the TV production company in Tokyo where I had gotten my first job, strangulating English sound bites into pithy Japanese subtitles. Now, he said, he had a new program and could use my help.
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I wasn’t totally sure I understood. It seemed like a strange thing to say — “Do you want to meet the Emperor Meiji?” I did know the Emperor had been dead since 1912…But this was Japan, where things are not always clear…
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Our reviews of the latest Japan travel and culture-oriented titles from the Asia specialist, Tuttle Publishing.
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After three years of much-needed renovation, the large Neoclassical building (with a “Japonesque” roof) located across the street from the Museum of Modern Art Kyoto, next to the Heian Shrine Otori, is re-opening as the Kyoto City KYOCERA Museum of Art on May 7th, 2020.
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In apparent contrast to ongoing governmental campaigns to internationalize its citizenry and promote futuristic technologies, Japan’s primary education has long endeavored to prepare students to face present-day challenges by imbuing them with mores and practices from a century or more ago.
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The Kumano region was long considered to be one of the most sacred regions in Japan, its three shrines attracting pilgrims so numerous that they were said to resemble a line of ants…
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Although most people think of the ‘traditional’ Japanese cuisine as having its roots in the kaiseki of the late Muromachi and early Edo (1603-1868) periods, Japan and its way of eating are far older. To find out how and why the Japanese came to ‘eat with their eyes,’ it is necessary to cross a bridge of dreams.
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The practice of garden-making in Japan has a long history and over the last 1500 years, there have been many changes in perceptions of what constitutes a garden.
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Ima Tenko believes that transforming butoh performance from a big-budget spectacular, as it was with Byakkosha, into the intimate encounter she performs today is much more sustainable.
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As part of their 70th-year anniversary celebrations, KJ has teamed up with Tuttle Publishing, the Asia specialist, for this four-part series.
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