KYOTOGRAPHIE 2022 “One”

Writing in their preface to the first KG catalogue, Reyboz and Nakanishi averred that “KYOTOGRAPHIE’s intention was always to stage the work in the shrines, temples, machiyas, tea houses and other emblematic locations of the city. But by using scenographers and designers to ensure that the photography and the venues will each work to enhance the other, it was our hope that by engaging the participation of Kyoto’s traditional artisans, a broader spectrum of Kyoto society will feel that this is truly their festival.” The creative fusion we are seeing after ten years seems to confirm their vision.  

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Nanzen-ji

As a special online preview to our ‘Water in Kyoto’ issue, Paul Rossiter’s poem ‘Nanzen-ji’ reveals an example of how vitally water is intertwined with Kyoto’s rich cultural legacy.

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KYOTOGRAPHIE 2021 “Echo”

Japan’s first truly international art festival was born of the 2011 Great East Japan Earthquake, tsunami, and nuclear accident, while this year’s edition, entitled “Echo,” has gone ahead amid the challenges posed by the ongoing COVID-19 pandemic. Exploring such themes as natural disasters,  the pandemic, and sexual abuse, “Echo” might seem unremittingly dark, but among the 14 main exhibitions a current of profound and non-facile hope pulsates to the surface in unexpected ways.

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The Dento Bento

This memorable article by one of Kyoto Journal’s earliest regular contributors, Jonah Salz, on how Kyoto presents its living cultural heritage to visitors, appeared in our third issue, in 1987. Remarkably, it has hardly aged at all. Meanwhile, Jonah is still waiting – patiently – to see “dento bento” become a meme. Maybe this time…?…

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EXTRA!

KJ100: EXTRA! On this page we present additional views, impressions and visions of Kyoto, as an ongoing project complementing our print edition, KJ100: ‘100 Views of Kyoto – a Tribute.’ Kyoto View 18: Finding Home – Lauren W. DeutschWhen I passed a huge statue of Kannon, standing guard 24/7 by the door of one of…

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Structures of Kyoto, Interrogated

Structures Of Kyoto: Writers in Kyoto Anthology 4. Edited by Rebecca Otowa & Karen Lee Tawarayama, 2021, Writers in Kyoto, 172pp., ¥1207. Structures Of Kyoto: Writers in Kyoto Anthology 4, edited by Rebecca Otowa and Karen Lee Tawarayama, features contributions from twenty-four writers. As was the case with WiK’s previous anthologies, it is an eclectic…

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Kyoto Dwelling

KYOTO DWELLING: A YEAR OF BRIEF POEMS by Edith Shiffert, Charles E. Tuttle Company 1987, 115 pages The poet Edith Schiffert resided in Kyoto from 1963 until her death, at the age of 101 in 2017. Her poems appeared often in KJ over the years. This review of her classic Kyoto Dwelling, from KJ7, Summer…

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Hidden Masterpieces

As canals are to Venice, gardens are to Kyoto, even if mostly concealed behind the walls of private residences, or within sub-temples that have not transformed themselves into tourist attractions.

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The Kyoto City KYOCERA Museum of Art

After three years of much-needed renovation, the large Neoclassical building (with a “Japonesque” roof) located across the street from the Museum of Modern Art Kyoto, next to the Heian Shrine Otori,  is re-opening as the Kyoto City KYOCERA Museum of Art on May 7th, 2020.

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Afuru Nagatome: Ryokan owner

Afuru didn’t set out to simply create a comfortable, authentic space, she wants to bring the people staying in her guesthouse together, as well as introduce them to the locals of the area, who often pop in to chat or drop off some produce.

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KYOEN in pictures

Over three weeks this winter season, Kyoto Journal, with the help of some wonderful sponsors (Kyoto City Tourism Association 京都市観光協会, SunM Color サンエムカラー, Shoyeido Incense 松栄堂, Shimaya Stays シマ屋, Kyoto Distillery and Alishan Organics) and the Terminal Kyoto, was able to bring together the work of 25 artists in what was a rather unusual but…

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